Andy Vitolo's UK premiere production of "Dracula" was both original and daring.
A blank set, restricted in acting space by screens for artful lighting, created the intense, suffocating atmosphere required for this powerful and emotive
musical.
Ba
sed on Bram Stoker's classic novel, the music by Frank Wildhorn was challenging and impressive. The ensemble cast of only 13 took the musical
demands in their stride, under the leadership of MD, George King. Several of the cast took on dual roles, notably Derek Winward, showing great acting versatility, as the twitching lunatic Renfield, then minutes later, as the hapless Arthur.
The script was in places, rather stilted and clichéd, making the acting difficult for some, but this was more than made up for by their vocal strengths. Jeremy Clark (Jonathan), Lucy Fellows (Lucy) and Michael Cosgrove (Van Helsing) showed great talent and poignancy in their solos.
They were well supported by the three sexy assistants to Dracula who definitely put the vamp into vampire.
Mairi-Claire Connor was quite simply superb as Mina, developing her character from loving fiancée of Jonathan to soul-tortured victim of the Count.
Her range of emotions and singing were exceptional.
Andy Vitolo played the Count with the menace and power of a spiritual cult leader, terrifying and passionate.
Apart from the unnecessary and distracting wigs, the eclectic mix of traditional and gothic costumes added to the contemporary feel of the show, and Andy's particular directorial style. Broadway's loss is the Fylde Coast's gain.
Rosie Withers
